
Continued from Homepage:
NORWICH CITADEL BAND TOURS IN SWEDEN — Report
written and compiled by David Woodrow, Solo Cornet
(This report may be downloaded as a PDF
document by clicking here or by clicking the document
image, right.)
Day Three – Kristinehamn
Day three began with breakfast at the Ritz City Hotel in
the self-service dining room allowing us to get a substantial
meal for the start of another hectic day. We travelled for
about an hour from Örebro to Kristinehamn for yet another
march through the town and open-air concert, where a local
government official responsible for cultural activities
welcomed us. Yet again, after a cloudy start to the day, the
sun shone as we played a light programme to an appreciative
crowd.
The corps at Kristinehamn has been working in the community
since 1880 and, although small, has a café providing
refreshment, but more importantly, fellowship and counselling
for the citizens.
At mid-day we were taken to Lake Vänern, the largest inland
lake in Europe, the length of which takes 24 hours to travel
by boat. Beside the lake as we drove were handsome timber
houses, each one with its own expression (most with an
expensive expression!). Behind them hide leafy gardens,
sloping down to the lake: a haven for artists, boating,
swimming, or just relaxing by the water. Situated on the
lakeside is the Kristinehamn Corps summer house, where often,
after the morning meeting, the Corps will go for fellowship,
retreats and barbeques. It was suggested to Major Begley that
this idea would be quite feasible on the Norfolk Broads! Lunch
was at the Café Pearl, the summer house of the Swedish
Lutheran Church, overlooking the lake. We were served salmon,
caught in the lake that very morning! The minister, whose
church we would be playing in later, was for 18 years a
Salvation Army officer, commanding such corps as Tranås, and a
former private secretary to the Territorial Commander in
Sweden, His wife’s health forced him to resign from
officership, but he is still ‘Army through and through’ and in
fact, is still a soldier at Kristinehamn Corps, informing us
that membership of three different churches is allowed in
Sweden.
We spent some time in the tranquil surroundings of the lake
– imagine somewhere like Lake Windermere or a Scottish loch,
to give you some idea of the beauty of it all. Our afternoon
concert was held at the site of Cape Picasso, Pablo Picasso’s
tallest statue. Built in 1965 at the lake side, and included
‘Salvation’s Song’, ‘A Happy Day’ (Richard), ‘The Song of the
Brother’ (Mark), ‘Gaelforce’, and ‘Metropolis’, with the now
customary handclapping ‘Radetzsky style’. We were honoured to
meet Norwegian Salvationist Eliv Herikstad who had travelled
200 kilometres from Finland to hear us. We later played his
arrangement of ‘All to Jesus’, I hope to his liking, in the
Kristinehamn Church, a cathedral-like building, in a 5:00pm
concert featuring music mostly in quieter style: ‘Swedish Folk
Song’, ‘Procession to Covenant’, ‘I’d rather have Jesus’
(David Woodrow), ‘Spirit of Life’ (Daniel), and the Band
Chorus ‘When I survey the Wondrous Cross’.
We had hoped that our last evening back in Örebro at the
Ritz City would have given us a chance to look around the
city. Some had hoped to find a bowling alley, but the weather
turned to heavy rain. Yet it still didn’t prevent some
bandsmen finding the local McDonalds or Burger King!
Day Four – Motala
We booked out of our hotel and travelled to Motala
where we were entertained to lunch at The People’s House, the
town’s civic centre, which also housed a concert hall and a
museum. The band were welcomed to the town by the vice-chair
of the local government council when gifts were exchanged, and
following lunch, were invited into the concert hall to sing to
our hosts and assembled staff.
Our visit coincided with the Motala Water Festival; a week
of live music events (mostly pop), fun fair rides and water
sports. A march followed by an open-air concert in the
town square and then a further march and second open-air
concert, this time amid the candy floss and burger stalls,
which attracted young and old to listen to our music and
message.
Then on to Tranås. It was interesting to note as we
journeyed out of Motala and into the countryside that in
contrast to city and town centre housing in apartment style,
homes out of town have plenty of space around them. In general
Sweden is not an overcrowded country, in fact, for every
citizen there is a square kilometre of space – slightly
different to the UK! Our journey took us through pine forests,
more lakes and open countryside, the terrain of which is
relatively flat – that is, in the southern part of Sweden.
The venue for our evening concert at Hättebaden, Tranås was
again by a lakeside. Lake Sommen is 90 miles around its
perimeter. It may seem a bit repetitious when reading about
lakeside venues, but this one was, again, truly
magnificent.
Set among pine and silver birch trees, the amphitheatre in
which we played was set in a bowl, providing unusually good
acoustics for an outdoor venue. The band had enjoyed tea
provided by Ove (The Fox) Fundin, former five-times world
speedway champion, when he rode for Norwich Stars Speedway
Team back in the 1950s and 60s.
Ove was a speedway hero and had the reputation for being a
great sportsman and gentleman. Now living in the south of
France, his return to his home town of Tranås for his
daughter’s wedding had coincided with our visit, and in
welcoming the band said that Tranås and Norwich were still
close to his heart, and that he returns to Norwich every year
to visit his old speedway buddies. He is still very much a
gentle-man and it was a privilege to meet him, particularly
for those of us who, in those days, would go to Carrow Road
for football on Saturday afternoons, then to the Firs Stadium
for speedway in the evening – ah, those halcyon days!
Ove stayed for our evening concert, and as we played the
opening march, ‘Montclair Citadel’, roared into the arena on a
friend’s ‘old banger’. Our concert was played to about 300
people including many Tranås bandsmen, sitting in the evening
sun, and continued with ‘Swingtime Religion’, ‘Gaelforce’ and
‘Celebration Overture’. Daniel excelled yet again with ‘The
Better World’, as did David with the ‘Strauss Horn Concerto No
1’. The customary unison hand clapping confirmed that the
crowd wanted more, and an encore of ‘Metropolis’ concluded the
evening.
And so to bed. Most of the band was accommodated on the
adjacent holiday and leisure complex (campsite) in log cabins
measuring just 14’ x 8’ and slept four per cabin in bunk beds.
To say the least, it was cosy! Nevertheless it’s all part of
the fun, if fun is the right word to describe four men
sleeping in such close proximity. For me, sleep was impossible
no matter how hard I tried, due to two of my colleagues’ night
noises. At 4:00am I gave up trying to sleep and made my way to
the shower-block for a shower and shave. At least I was able
to enjoy the peace and tranquillity of the early morning and
glorious sunshine as I strolled beside the lake at 5:00am,
totally alone with only the sound of the birds to break the
silence. It was then that I thanked God for the privilege of
being an Ambassador for Christ, and a part of the very special
worldwide fellowship of Army banding. Losing a night’s sleep
had its advantages.
Day Five – Tranås and
Stockholm
It’s Saturday, and we have crammed so much into the
previous four days, and our last two days, according to our
itinerary would be just the same. We were taken to Tranås SA
hall for breakfast, one of the servers being our own Jean
Whybrow who was on holiday in the town. We spent some time
soaking up the atmosphere of bygone days, amid the photographs
and memorabilia displayed in the Tranås bandroom. I recalled
when, during our visit in 1971, we had marched the
kilometre-long main thoroughfare, and played a pre-concert
programme outside the hall, with the Tranås Band (who were a
band to be feared in those days) looking over our shoulders,
and then having to play a full concert inside. Fortunately, it
was the end of the tour, and we had built up enough stamina to
see us through.
Saturday morning in Tranås means ‘the parade’, when various
bands are organised to march that same thoroughfare, and
because it’s a regular occurrence, the whole town, it seems,
turns out to see it. That was certainly the case for us, when
hundreds of people lined the pavements to greet us with
clapping and cheering as we marched along the straight tree
lined street.
Ove Fundin Was there, with his motor bike, to ride ahead of
us, though comically, because his bike was so old and he was
riding so slowly, the bike would cut-out, causing him to pull
over, re-start and then roar past the band again, to take his
position ahead of us! This happened several times along the
route, and I suppose it reflects his never-say-die
determination, for which he was famous in his speedway days:
although now in his 70s, he didn’t give up.
Having marched from one end to the other, we stopped for
cold drinks, then marched halfway back where we played yet
another concert in the Town Square. By this time, the crowds
had converged to hear us, and where yet again, Major Begley
took the opportunity to emphasise the message contained in our
music. Bandmaster Douglas Beattie invited Bandmaster Stig Unér
of Tranås to conduct one of the marches.
After lunch, a three-hour journey took us to Stockholm for
the expected climax and conclusion of our tour, the Swedish
Congress, where we were greeted by the Chief of the Staff,
Commissioner Israel Gaither, with “it’s good to see someone
from home”. Our entry into the auditorium of the Filadelfia
Church was greeted with a standing ovation from the 1400
Salvationists as we marched in to the sound of ‘Norwich
Citadel’ played by Stockholm South Band (formerly Stockholm
VII).
What a privilege it was to represent our country, our city,
Norwich Citadel, but most importantly, our Lord, Jesus Christ.
Stockholm South Band under its bandmaster, Torgny Hanson
played Eric Ball’s ‘Journey into Freedom’ and Jönköping Choir
sang groups of gospel and contemporary songs. A humorous, yet
professionally presented item, was by baritone singer Magnus
Ahlström who sang in dramatic style ‘Largo al Factotum’ from
Rossini’s comic opera The Barber if Seville, with the
impromptu inclusion of Major Göran Larsson, who was enticed
into the barber’s chair, shaving cream and all.
Norwich Citadel Band’s items were Peter Graham’s
‘Renaissance’ and ‘Gaelforce’, and as we were the guest band,
provided soloists Richard (Golden Slippers), and Daniel (The
Better World), both of whom received prolonged applause for
exciting performances of their respective solos.
But the night was not over yet. At the conclusion of the
concert we had to pack and load all our gear onto our coach
and van and were taken to Stockholm Temple for what was
described as ‘Musikcafé’, an informal music event. It was well
under way when we arrived after 10:00pm and was planned to run
through to midnight. We entered the hall to a cacophony of
music and conversation from a crowd of about 300 people who
had moved – faster than we had – from the Congress concert to
Stockholm Temple.
We set up whilst brass and singing groups continued with
their various items, then as part of our contribution,
provided accompaniment to the euphonium solo ‘The Song of the
Brother’, with eight euphonium soloists in unison. The idea
was that a ‘referee’, complete with yellow and red cards, plus
whistle would adjudicate the soloists, then firstly warn and
ultimately dismiss them one by one as they played wrong notes.
It was all very tongue-in-cheek, with numerous stops for
arguments and refusals to leave, and whether it was
pre-arranged, I’m not sure, but the last player to be left for
the final 32 bars was Mark Giles of NCB who finished with a
grand flourish, to the delight, and the protest of others.
We had been pre-warned that one item was to be a speed
challenge between Gothenburg Hisings and Norwich Citadel
sextets playing ‘Star Lake’, and being the gentlemen that we
are, allowed the home team to go first. They raced through it
with a completion time of 1 minute 26 seconds, but somehow we
managed to keep our composure and beat them by 6 seconds. It
was fun, and I think that Eric Ball might have enjoyed it
too!
Major Begley ‘brought the house down’ as he took the stage
recalling his years in the dance profession, compiling a
sing-along from the shows, interspersed with dance, including
a demonstration of the top hat and cane routine, then to the
delight of the crowd enticed a young lady on stage to dance
with him. It all created much laughter and needed no
translation; such were his charisma and communicating
skills.
Well, the Musikcafé experience did end at midnight after
the final set by Vasa Bone Unit (a trombone jazz ensemble from
Stockholm Vasa Corps), but of course we had to repack and
reload coach and van yet again in readiness for the following
morning’s congress meeting – and we still had a journey of
about half-an-hour to our overnight accommodation – Ågesta
Hotel, adjacent to the Army’s training college, and eventually
bed at about 1:15am.
Day Six –
Stockholm
Our final day, Sunday, began with breakfast at 7:30am. We
didn’t seem to notice the early hour, but had to be back at
the congress venue in readiness to play pre-meeting music at
9:15am, and amazingly made it with time to spare. Throughout
the week the schedules for each day had been so meticulously
planned that everything had gone like clockwork, and today was
no exception.
As the Filadfelfia Church filled with hundreds of
Salvationists we anticipated a memorable holiness meeting – we
were not to be disappointed. The meeting began with about a
hundred young people, from primary to teenagers, entering the
auditorium with paper aeroplanes on which were written a
prayer and a bible text, and at a given point were released
into the congregation, at which point they left for their own
congress meeting. We were informed that on the previous
evening eight young people had made decisions for Christ in
their own Congress meeting.
In a meeting full of challenge the band played ‘Reflections
in Nature’, Procession to Covenant’ and William Gordon’s ‘When
He Cometh’. The Chief of the Staff began his message by asking
“Do we love each other?” and with a great deal of humour
between himself, his translator and congregation demonstrated
the Maori greeting of firstly touching forehead, the nose and
saying “I love you”, and we were invited to try it. Some did,
but he went on to suggest that Sweden needs the breath of God,
the Holy Spirit to fall upon the nation, and that by the grace
of God we can be free people – free from sin and the trappings
of sin. He used the chorus ‘Spirit of the Living God, fall
afresh on me’, and in response to his challenge at least a
hundred delegates moved forward in an act of rededication and
commitment, as the band played an arrangement of the chorus as
a benediction. Lunch was at TGI Friday (for those
who don’t frequent such places, that means ‘Thank Goodness
It’s Friday’, but this was Sunday – shock, horror – and we
were served club sandwiches, fries and Coke, paid for by THQ.
Well, it is Sweden.
Free time followed, our first to speak of all week, and for
a couple of hours were able to sample a little of the
beautiful and spacious City of Stockholm – The City on Water –
with a population of 500,000. A stroll from Kungsträdgården
(The King’s Garden) where we would by playing our final
concert later in the afternoon, we viewed The Royal Palace,
Opera House and Parliament House, and Gamla Stan (the Old
Town), where narrow streets and alleys are still today much as
they were back in the Middle Ages, with buildings rising to
four and five floors, but at street level are now turned into
restaurants, craft and gift shops, a haven for souvenir
hunters.
The events taking place in The King’s Garden were part of
the Congress Celebrations, as hundreds of Salvationists merged
with the public to visit the information areas and listen to
various music groups around the park. Young People’s Bands,
singing groups, and finally Norwich Citadel Band took the
stage for our last concert. We began with Bert Langworthy’s
6/8 march ‘Regeneration’, number 52 in the SA Festival Series,
and which we used on our previous tour in ’71, It’s a cracking
march, yet I have not heard it played by any other band in my
50 years of banding. The cornet solo ‘A Happy Day’ (Richard),
tenor horn solo ‘Strauss Horn Concerto No 1’ (David), and
euphonium solo ‘The Song of the Brother’ (Mark) were again
received enthusiastically, with Mark in particular using his
last opportunity to ‘milk’ his cadenzas, super and pedal notes
to good effect with an appreciative crowd. ‘Celebration
Overture’, ‘Salvation’s Song’, and ‘Gaelforce’ were among our
final items.
Territorial Headquarters in Sweden once again paid for our
meal, and this time it was at the very exclusive Godthem
Restaurant on Skansen Island, where we enjoyed a three-course
farewell dinner. After speeches of appreciation and
presentations, we departed for Västerås Airport and the flight
home.
This has been a most fulfilling tour, and a privilege to
represent the UK Territory and our home corps. Our thanks go
to Peter Edqvist, Major Göran Larsson, mentioned at the
beginning of this report for their flawless planning, and not
forgetting Territorial Music Director Lars-Otto Ljungholm who
invited the band to participate in the Congress. Thanks also
to our band secretary Michael Whybrow who instigated our
invitation to Sweden and whose tireless attention to detail
ensured a hassle-free tour.
Two men who deserve special mention are our van drivers,
Phil Green and Derek Mapes, whose tour lasted eleven days
(five days longer than the band’s), having driven our
instruments, uniforms and equipment by sea via Denmark. The
quiet and efficient work throughout the week, as well as a
first class checking system operated by Nigel at every venue,
relieved the and of an enormous amount of lifting and
carrying. Not one lost piece or damaged instrument – thanks
guys.
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